Luxury fine art photography for discerning collectors seeking light, story, and soul.

Undertow

Rusted Industrial Geometry at C-mine, Genk

Edition: Signature 75 Total

$9,700.00

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Tidewash — Florida luxury coastal fine art print installed in a collector interior

Some placesstay with youlong afteryou leave.

Finite editions.Archival materials.Quiet permanence.

Edition Structure

Keene Fine Art editions are capped by image, not by size. Standard and approved custom sizes all count toward the same total edition. Each work is signed, editioned, produced to museum-grade standards, and accompanied by a Certificate of Authenticity.

For availability, custom sizing, artist proofs, or white-glove delivery, please inquire directly.

Signed, numbered, hologram-sealed. Captured in-camera by Sherry Keene. Never AI-generated.

Certificate of Authenticity for a Sherry Keene limited edition fine art photograph, signed by the artist and numbered with a unique COA number and hologram seal, verifying an authentic human-made photographic print, not AI-generated.
Signed, numbered Certificate of Authenticity issued with every Keene Fine Art limited edition print.

Nonpareil Edition

25 Total Works

Reserved for the rarest images: difficult, unlikely, or nearly impossible to repeat.

Signature Edition

75 Total Works

For major works with strong presence, scale, and long-term collector appeal.

Collector’s Edition

125 Total Works

For selected works with broader availability while remaining permanently capped.

Archival Baryta Fine Art Paper presentation detailAcrylic 5mm Rounded Corners presentation detailAlu-Dibond presentation detailHD Sublimated Metal presentation detail

Archival Baryta Fine Art Paper

A museum-quality archival fine art paper selected for exceptional tonal depth, nuanced highlights, rich blacks, and a refined satin surface. The exact paper may vary by approved production partner while meeting Keene Fine Art’s standards for image quality, permanence, and presentation.

Limited supply. Unlimited silence. Blink and a collector will have your spot.

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Beneath San Giorgio’s Gaze

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Headframe

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The preserved headframe of the former Winterslag coal mine rises through layered openings of weathered steel at C-mine. Photographed from below, the black-and-white composition turns the tower and surrounding arcs into a study of industrial geometry, endurance, and scale. Photographed in Genk, Belgium, by Sherry Keene.

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The Other Icon

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A blue Citroën 2CV sits beneath the Eiffel Tower, bringing two unmistakable French icons into the same frame. I rented the 2CV for the shot. Paris supplied the taller prop. Photographed in Paris, France, by Sherry Keene.

The Other Icon

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A blue Citroën 2CV sits beneath the Eiffel Tower, bringing two unmistakable French icons into the same frame. I rented the 2CV for the shot. Paris supplied the taller prop. Photographed in Paris, France, by Sherry Keene.

Cathedral

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Curving steel structures inside C-mine catch a narrow band of amber light, turning the rusted machinery of the former Winterslag coal mine into a study of geometry, shadow, and industrial age. Photographed in Genk, Belgium, by Sherry Keene.

The Fibonacci Mine

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Concentric rings of oxidized iron turn inward in perfect diminishing sequence inside the former Winterslag coal mine, the same spiral that governs nautilus shells and galaxies, found in Belgian mining steel. Photographed at C-mine in Genk, Belgium, by Sherry Keene.

The Light Between Departures

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The Matterhorn rises from winter shadow in a fleeting view captured through the window of a departing mountain train.

Fire Without Flame

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The Matterhorn's peak ignites from a sun not yet visible, cold stone turning gold from the inside out. The alpenglow lasts maybe four minutes. Photographed above Zermatt, Switzerland, by Sherry Keene.

Framed in Heritage

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The Arc de Triomphe stands beneath a shifting early-morning sky, framed by the ornate base of a Parisian lamppost. The Eiffel Tower appears quietly in the distance at lower right, bringing two Paris landmarks into a single black-and-white composition. Photographed in Paris, France, by Sherry Keene.

On the Mission’s Edge

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Nooky Booky IV waits on the tarmac shortly after dawn, viewed from beneath the broad arc of her propeller. Sunlight breaks around the polished fuselage of the North American P-51D Mustang while the runway remains quiet. Photographed by Sherry Keene.

Sentinel

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Sun on tarmac, hot metal, and a name painted on the nose. The P-51 Mustang photographed close enough to feel the heat coming off the aluminum.

Intermission

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Milan Cathedral stands alone in Piazza del Duomo shortly after dawn, beneath a blue, violet, and rose-colored sky. Rain-darkened pavement stretches across the nearly empty square, capturing a brief pause before the city and its crowds return. Photographed in Milan, Italy, by Sherry Keene.

The Promise of Dawn

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The Eiffel Tower stands centered between the wings of the Palais de Chaillot shortly before sunrise. Photographed from the empty Trocadéro esplanade, the panoramic composition captures Paris beneath a pink, violet, and blue morning sky before the crowds arrive. Photographed in Paris, France, by Sherry Keene.

Reflection of Empire

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The Colosseum stands above rain-mirrored cobblestones in the dark before dawn, doubled in the water left by a storm. Photographed in Rome, Italy, by Sherry Keene.

Danube Reverie

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Parliament stands alone at the water's edge before the city wakes, lit by its own reflection while the Danube holds a pink and gold sky. Photographed in Budapest, Hungary, by Sherry Keene.

Eternal Light

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Fire-gold light breaks over the dome of St. Peter’s while the Tiber turns molten beneath the Ponte Umberto. Photographed in Rome, Italy, by Sherry Keene.

Discipline Under Duress

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Pont Alexandre III crosses the Seine beneath a sky burning gold, orange, violet, and blue. The bridge’s ornate lamps and gilded statues lead toward the dome of Les Invalides as the last light reflects across the river. Photographed in Paris, France, by Sherry Keene.

Crowned by the Tide

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Mont Saint-Michel rises above its reflection in the tidal waters of Normandy shortly before sunrise. Photographed from beneath the pedestrian bridge, the image frames the fortified island between a deep blue storm sky and soft pink morning light. Photographed in France by Sherry Keene.

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First light strikes the snow-covered towers of Tre Cime di Lavaredo, turning the western faces gold while the surrounding Dolomites remain in cold blue shadow. The photograph was made after an overnight snowfall and a 4:30 a.m. climb through ice and fog. Photographed in the Italian Dolomites by Sherry Keene.

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Serenity After Dark

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Hallstatt settles into silence after dark, its warm village lights and church spires reflected in the still water of Lake Hallstatt. The surrounding mountains rise into a deep blue, star-filled sky as the last tourists leave and the lakeside village becomes quiet. Photographed in Hallstatt, Austria, by Sherry Keene.

Oculus

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A boy appears in a small circle of warm light at the far end of a sequence of offset steel openings inside Labyrinth at C-mine in Genk. The weathered structure, designed by Gijs Van Vaerenbergh, compresses distance and scale until the figure becomes the still point within the geometry. Photographed in Belgium by Sherry Keene.

Shelter

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Curved steel walls overlap inside Labyrinth at C-mine, forming an enclosed shape lit by narrow openings. Rust, blue-black shadow, and warm reflected light turn the sculptural maze into a study of protection, enclosure, and space. Photographed in Genk, Belgium, by Sherry Keene. Labyrinth was designed by Gijs Van Vaerenbergh for C-mine's tenth anniversary.

Suspension

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Weathered steel forms overlap inside Labyrinth at C-mine, creating a pale crescent suspended above a darker circular opening. Rust, scratched surfaces, and blue-black shadow turn the industrial structure into a study of balance, tension, and incomplete forms. Photographed in Genk, Belgium, by Sherry Keene.

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Three nested circles recede through the weathered steel of Labyrint at C-mine, ending in a small opening filled with amber light. Oxidized surfaces, scratches, and blue-black shadow turn the structure into a study of repetition, depth, and warmth. Photographed in Genk, Belgium, by Sherry Keene.

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